Joseph Kosuth‘Ni apparence ni illusion’ (‘Neither Appearance Nor Illusion’)
2009
15 neon texts
Charles V Hall, Musée du Louvre, Paris, FranceKari KolaLighting the Sound
2026
Light Installation
Albany, Western Australia
Jena ThomasEntertainment
2024
Oil on canvas
89 x 78 inch
FrankeyTouch the Sky
2025
Carrara marble, composite material
23. 6 x 17. 7 x 9.84 inchVincent SerbinIntegrated Toon
2025
Flashe and spray paint on watercolor paper
22 x 30 inchEugene AgyeiFihankra (You Did Not Say Goodbye When You Left Home)
2026
Alfred Ceramic Art Museum, Alfred, New York
Carlos Bautista BiernnayThe Path
2024
Hand painted, fiber art, mixed-media
72 x 60 inch.
Joseph Kosuth‘Ni apparence ni illusion’ (‘Neither Appearance Nor Illusion’)
2009
15 neon texts
Charles V Hall, Musée du Louvre, Paris, FranceKari KolaLighting the Sound
2026
Light Installation
Albany, Western Australia
Jena ThomasEntertainment
2024
Oil on canvas
89 x 78 inchFrankeyTouch the Sky
2025
Carrara marble, composite material
23. 6 x 17. 7 x 9.84 inch
Vincent SerbinIntegrated Toon
2025
Flashe and spray paint on watercolor paper
22 x 30 inch
Eugene Ofori AgyeiFihankra (You Did Not Say Goodbye When You Left Home)
creating myself Franz Fanon
2026
Alfred Ceramic Art Museum, Alfred, New York
Carlos Bautista BiernnayThe Path
2024
Hand painted, fiber art, mixed-media
72 x 60 inch.
Kro Kro Me (Know Me Deeply)
“The artist builds his narrative through clay, carried into the field of contemporary ceramic sculpture. His pieces are complexified by the addition of industrial elements —tires, steering wheels, umbrellas, shoes, rearview mirrors— resembling intervened ready-mades, confronted by time and by the harshness of the meaning of this forced union.”
Eugene Agyei
2025
Earthenware clay, underglaze, batik fabric, wood
7.5 x 9.5 x 13 inch.
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Kudos Shed
Is an extension of the Kudos Curators platform, and provides an in-person, immersive experience with a focused curatorial idea. The concept is simple: one curator, one artist, one artwork. All housed in a humble shed.